10. 吉田广史（1876-1950） 昭和时代，1930-1986 高清作品[74%]

Three oban tate-e prints and one oban yoko-e print Showa era , 1930-1986

图片文件尺寸 : 4426 x 4223px

YOSHIDA HIROSHI (1876-1950):Three oban tate-e prints and one oban yoko-e print
Showa era (1926-1989), 1930-1986
The first, entitled Yomeimon (Yomei Gate), dated 1937, signed Yoshida Hiroshi, with jizuri seal; the second, entitled Bunnosuke chaya (\"A Little Temple Gate\" Bunnosuke Tea House), dated 1933, signed Yoshida Hiroshi, with jizuri seal; the third, entitled Kin to shiro (\"Gate in Gold and White\" Gold and White), original dated 1937 but this impression an atozuri impression from the original printing blocks made in 1986, signed Hiroshi Yoshida; the fourth, entitled Seto Naikai, Kura (\"Kura in Tomonoura\" Seto Inland Sea, Storehouses), dated 1930, signed Hiroshi Yoshida, with jizuri seal (4)
11 1/16 x 16 1/16in (28.1 x 40.8cm), the largest

吉田广史（1876-1950） 昭和时代，1930-1986

下载吉田广史（1876-1950） 昭和时代，1930-1986大图

12. 乔凡尼·巴蒂斯塔·皮拉内西 《架子上的男人》，出自《因弗齐奥内的尸体》 高清作品[72%]

The Man on the Rack, from \'Carceri d\'Invenzione\'

图片文件尺寸 : 4409 x 4581px

Giovanni Battista Piranesi:The Man on the Rack, from \'Carceri d\'Invenzione\'
Etching with engraving, 1761, on heavy laid paper, with watermark Fleur-de-Lys in a circle surmounted by a Crown (Robison 20), a very good impression of Robison\'s fifth state (of six), the fourth issue, from the Second Edition (mid to late 1770s), or an early printing from the Third Edition (1778-1799), with the central vertical fold, with margins, 642 x 495mm (25 1/4 x 19 1/2in)(SH); together with \'The Drawbridge\' (Robison 33), etching with engraving, 1749-60, on heavy wove paper, a posthumous impression of Robison\'s sixth and final state, Fifth (Firmin Didot, 1835-1839) to Sixth Edition (1839-c.1940), with the number 355 added to the upper left of the print, with margins, 620 x 482mm (24 3/8 x 19in)(SH)(unframed)(2)

乔凡尼·巴蒂斯塔·皮拉内西 《架子上的男人》，出自《因弗齐奥内的尸体》

下载乔凡尼·巴蒂斯塔·皮拉内西 《架子上的男人》，出自《因弗齐奥内的尸体》大图

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